BANDED

WHERE ARTISTS AND FANS BAND TOGETHER.

Rocktoberfest Cincinnati: Local Bands Put On Concert For Change

Evie Wagner

Clifton natives TasteFull kicked off the month of October with a highly successful, highly publicized charity concert in the heart of Cincinnati earlier this month. Local bands, including Fruit of the Island, Fat Sal, TasteFull, and Saving Escape put on an outdoor rock concert at Bellevue Park, working in partnership with Monigold Studios to benefit Freestore Foodbank - Cincinnati’s leading food bank working to eliminate hunger and food insecurity in the Queen City. A donation station was set up at the event for guests to donate canned goods and pantry items, and in addition, monetary donations could be made quickly and efficiently online via the numerous QR code flyers hung up around the event. While listening to live music, guests were invited to browse pop-up vintage shop Mojo Casher Threads, as well as art from Kendall Matsey and jewelry from Earfunky. 

With flyers being put up around town and numerous advertisements on local news, the event was, without a doubt, a huge success, drawing a large crowd of people in attendance. I was asked by my good friend, TasteFull and Fat Sal bassist Hunter Brookbank, to cover the event for BANDED, and, enthusiastically, I accepted the offer. 

A very humble band, Fruit of the Island opened the night of music by introducing themselves and proclaiming “We suck” -  (Spoiler: they did not). This is a band I’ve never seen live before, but I was very glad to have discovered them, as they play very well together and have great synergy on stage. I’d best describe them as “nu-indie pop rock with a punk edge”; listening to their set, I heard influences of Bad Suns, Hippo Campus, and All Time Low. This group brought the infectious melodies that got stuck in your head, and they made a great opener for the event, as they energized the crowd and got everyone hyped up. The most memorable moments from their set include: when they introduced an original tune with “This song is about how capitalism is really bad for the environment” (amen to that), and their very groovy and inventive cover of Daft Punk’s “Get Lucky”. To the delight of the crowd, the group closed their performance with a cover of Weezer’s “Say It Ain’t So” - and had everyone cheering. Overall, they put on an awesome show and I’ll definitely be looking forward to seeing them live again in the future! 

Up second was Fat Sal, a band I’ve had the pleasure of seeing live a few times now. This band was highly energetic from the very start, and they definitely got the crowd moving. Plenty of superfans in the crowd could be spotted jumping, dancing, and singing along as if they drank several cans of RedBull - affirming the fact that this group brings the heat and the energy whenever they perform. In their music, I hear influences of The Strokes, The Cars, and Cake, with some blues essence - at one point, the group launched into a bluesy-soul tune reminiscent of Briston Maroney. I definitely admired their killer guitar solos, as well as their unique and inventive use of saxophone. In addition, I liked their very vibrant and varied setlist - Fat Sal are undoubtedly a versatile band who can successfully play multiple genres. The crowd was extremely pleased to hear the group take on a passionate, groovy, and smooth cover of Amy Winehouse’s “Valerie”, and to my excitement, they even went as far as taking it up a notch with a loud and gritty cover of “Helter Skelter” - one of my favorites to hear them play live. Lead singer Liam sings every song with passion, grit, and raw emotion, he has a smooth vocal tone with an edge, and bassist Hunter puts his all into every song - I swear he was seconds away from getting whiplash during the set! Overall, this group meshes very well together, and are a definite crowd pleaser at any show, bringing plenty of energy to the atmosphere. 

Next up was TasteFull, and boy, did they bring the sizzle. Opening with energetic crowd favorite “Running In Circles” (which was, impressively, featured on Alice Cooper’s radio show Nights With Alice Cooper), the band got the crowd going from the very first note. Playing an engaging mix of classic originals, deep cuts, and teasing new releases, the band put on an electrifying performance (and the deafening screams of the crowd would agree). I say this with complete and utmost confidence: TasteFull gives it their all. One hundred and ten percent, every song, every show, every time. They’re an absolute treat to see live, and I definitely see them gaining more traction in the next year. It’s no secret they’re already gaining fans exponentially in the Cincinnati area - by the time of their set, the crowd was so congested with people that there was hardly any room to move around! As for more highlights from their set, I particularly enjoyed their psychedelic banger “Paint a Picture” (with the studio version featuring Saving Escape lead singer Kala Rose on an epic vocal solo, reminiscent of Pink Floyd’s “The Great Gig In The Sky”), a longer tune packed chock-full with rowdy jam sessions and delightfully chaotic musical tangents. But my absolute favorite part of their performance was their final song - a dark, brooding, and mysterious journey of a song entitled “Garden of Life”. Hearing this song only twice now, I’ve already drawn many similarities to Greta Van Fleet’s “Age Of Machine” (and anyone who has read my work knows how much I *love* Greta). I can already tell this will be my favorite tune off their upcoming album, and I can’t wait to hear the studio recording. Overall, TasteFull lit up the venue with their tenacity and ferocious passion for sound, and I’m super stoked to see them live again soon. 

Last, but certainly not least, the final band of the night was none other than Saving Escape. Back in 2018, I actually waited in line with them for a few hours before a Greta Van Fleet concert up in Cleveland - and they were excellent and friendly company! It was then that I discovered their band, and I’m so glad I did. To begin their set, lead singer Kala Rose raised her wine glass and toasted to the crowd, and the crowd ate it up. I was especially thrilled to hear the band launch into their classic original “Indigo Road” - an extremely-catchy pure rock banger dropped in 2018 (and their most streamed song to date, with half a million listens). I instantly found myself dancing and singing along to the tune that introduced me to the band in the first place - and the very reason I became such a huge fan. In addition, I admired their use of saxophone, which was a fun twist that added even more flair to their set. Vocalist Kala has a versatile voice and stage presence for days, she’s a frontwoman with confidence who is very entertaining to watch. I also really like the fact that Saving Escape are a band of best friends - they certainly play like it! Every note is smooth, the synchronicity is perfect, and they put on a dazzling show every single time. To end their set, and the night, Kala asked the crowd, “Are any of you Turnstile fans?” to which many people responded with cheers. The band launched into a cover of one of Turnstile’s songs - and while I admit I’d never heard of the band prior, I enjoyed the punk vibe of the song, and the thumping bass was the perfect badass send-off to the band. Overall, Saving Escape ended the night on a very high note, and had everyone buzzing after such a fantastic performance. I’ll always jump at the chance to witness them live, as they truly play like no one else can. 

Rocktoberfest was an absolute blast and one for the books, I had an amazing time and was thrilled to see so many people coming out to rock out for a good cause. Thanks again to Monigold Studios, Cincinnati Parks, Freestore Foodbank and TasteFull for such a wonderful night, and I’m stoked to cover more events like these in the future.

FOLLOW SAVING ESCAPE

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FOLLOW FRUIT OF THE ISLAND

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FOLLOW TASTEFULL

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FOLLOW FAT SAL

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Show Review: Joyous Wolf, Of Limbo & Moon Fever @ The Viper Room

Justin Spartacus
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Prior to their kickoff show at the infamous Viper Room in Los Angeles, CA, I had the pleasure to interview both Joyous Wolf and Of Limbo separately,also in different states at the time, and when asked the question who would they like to take on their own tours, both instinctively named each other as their first choice, that’s the dynamic these two Southern Californian rockers have. 

To start the night off, another local favorite Moon Fever gave the crowd a hometown welcome. Even for a Monday night on the sunset strip, fans flocked in early and threw their horns up for the opening band. I only knew of Moon Fever from their banger, “Cocaine”, but to see them in full effect had me believing the hype. Catchy lyrics, shredding riffs and solos, and the rock’n’roll attire to match it, make them a band to keep your eye on. 

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OF LIMBO

Shortly after with a quick set change, Long Beach/Australian natives, Of Limbo, raged to the stage and shifted the gears into party mode. Now for this tour, they have a new face accompanying them: Ian Joseph on drums. Unfortunately during the week prior to the show, their drummer fell ill, and we wish him a speedy recovery. Ian stepped up to the podium and picked up OF’s touring catalog in one day, which speaks volumes for how talented this young drummer is and his personality molded with the rest of the band on stage. Guitarist Luke Davies embraced his inner Steve Vai and shredded the night away on stage. Their bassist Rob Graveley was in his mojo and matched Luke with his energy, playing style. Finally, frontman and brother to Luke, Jake Davies, had his PBR in hand and made the crowd party. They are the ultimate party rock band, but in the best way possible.

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JOYOUS WOLF

Now I have seen Joyous Wolf a handful of times, as apart of the SoCal rock circuit, but only as openers, never as their own headlining act and from this night forward they should only be headliners. 

As concerts returned this year, Joyous Wolf had already been on the road with Dirty Honey and festivals such as Upheaval Fest. So the 2020 dust had already been disposed of and they were ready to hit their stride for this tour. Los Angeles rock station KLOS was directly supporting and promoting this show and even Matthew Pinfield was in attendance & introduced the band before the set.  For the first song to start the tour, they opened with their latest single “Fearless” and fans immediately had their hands up. The small atmosphere of The Viper Room was the perfect setting to showcase how exceptionally talented these rockers are. Joyous Wolf’s sound and stage presence screamed the vibe of a young Aerosmith band but unlike others who un-tastefully rip it off, they still had their own style to it. 

Megadeth may have the metal tour of the year, but Joyous Wolf and Of Limbo have the rock’n’roll tour of the year. Be sure to check them this fall. 

Show Review: Skum Love Birthday Bash At The Whisky A Go Go

Justin Spartacus

The Whisky A Go Go in Los Angeles, California is without a doubt one of the most iconic and infamous concert venues in the U.S., right next to the now gone CBGB, and on Sunday August 29, 2021, they hosted a special fundraiser, birthday bash for local Southern California legend, Skumlove

This special concert benefit was for mental health awareness with the You Rock Foundation, they are a non profit organization striving to help those struggling with their own mental health & suicide prevention through the power of music. Each band preforming during the show donated 30% of all merchandise sold to the foundation. 

Something that was truly unique and amazing, right at 7 PM when doors opened, they had a special guest panel to discuss their own personal struggles on mental and the impact the music community has on it. After this hour long panel spoke, the first bands to open the night were The Mendenhall Experiment and Fate Destroyed. 

The Mendenhall Experiment has truly impactful story and presence, as their founding member & guitarist, Brandon Mendenhall, has cerebral palsy and still takes to the stage shredding like he was Steve Vai himself. They are also very active in bring awareness to others affected by cerebral palsy. And their singer, or actually front-woman, Alyce completely stormed the stage with guttural tones.

Second band to open the night was Fate Destroyed. Now I’ve known this band for a few years now and after a few lineup shuffles they have their A Team out. Guitarists Jonni & Roger have absolutely mastered their guitars flawlessly like a master pianist. Bassist Chris Kennedy, who is also a guitar player as well, had his sound dialed in and perfectly blending within the mix, their drummer Cameron looked like a fitting Tommy Lee as he raged for the crowd. Their front woman, Francescca, was the metal dominatrix to complete it. Her breakdown voice and death metal sound has beautifully evolved over the years. 

For the main event and man of the hour: Skum Love. 

After not performing for over a year, you would think maybe some dust may have settled on an artists first show back, not for Skum Love. Himself and the band, brought one of the best performances they’ve done yet. Off stage, Skum is the nicest human you could possibly know, but as soon as he took to the stage, his Mr. Hyde showed and gave fans an absolute show. Extra female dancers who also did backing vocals & percussion, matched the guitarist & bassist for aesthetic. Skum himself even changed for some songs with some extra props. 

When the evening was finished and all the lights went down, Skum had this to say reflecting onthe night, “Considering everything going on, I think the show was truly successful. We reached out to make a difference and had many people come to us through the night. Every band sounded great and was professional and I truly enjoyed celebrating my birthday this way.”

For a Sunday night show, at The Whiskey A Go Go, Skum Love brought the love & passion of music to fans and raised money for an important cause we all struggle with. 

Show Review: Blacktop Mojo at Nashville's The End

Chloe Walden

Last week’s show at The End was actually my first introduction to Blacktop Mojo. I had heard of them obviously, (Texas is a big state, but it functions like a small town, and Blacktop Mojo and I both call the Lonestar State home) but I wasn’t really plugged in to what they were doing. Usually I won’t go into an assignment “flying blind” but I was interested to see what sort of vibe they had live. Not to mention, I had been itching to catch a show at The End from the moment I got into town at the beginning of August. 

The End is nearly quite literally a hole in the wall, situated behind a pizza joint just off Elliston. I drove past it twice before I finally figured out where it was. The interior is similar to most other dive bars, dark, cramped, and sticky, but with one distinct difference. 

The walls are painted with the names of historic and famous acts that at some point in the past have called the stage at The End home. The Black Crowes, The Flaming Lips, and Cage the Elephant just to name a very few. This gives the space the feeling of a sort of punk rock hallowed ground. It’s a temple to rock and roll. There’s an enormous amount of potential energy radiating from the stickered walls of The End. It’s a no-frills proving ground, and I think every band that steps across the worn stage carries with them that hope that their name will be moved from the marquee to the wall someday. 

Opening bands Hippies and Cowboys and Sons of Our Fathers did a killer job warming up the crowd for Blacktop Mojo, each of them offering their own distinct take on roots-y hardrock. You always know it’s going to be a good rock show if someone is wearing some sort of fur hat. (That’s a sentence I never thought I would say, but I stand by it.) 

By the time Blacktop Mojo was due to take the stage, The End was packed full of rowdy rock enthusiasts ranging in age from a bit younger than me, to a bit older than my parents. The place was packed out, and I was secretly glad I had a photo pass for this assignment and wouldn’t have to fight my way to the front of the venue like I sometimes do. 

Blacktop Mojo took the stage and immediately had full command of the crowd. This is a quality of musicianship that I think some critics take for granted, or really don’t examine. Sure I knew they were good players; I had sampled their oeuvre on spotify prior to the show. But being a musician and being a performer are different. 

Blacktop Mojo are both. And they moved the crowd like they were puppet masters.


The music itself has that Southern rock flair that is uniquely Texas. Fans of bands like Pantera, the Toadies, and Tripping Daisy will know what I’m talking about. This is the type of rock that picks you up by the scruff of the neck like a stray kitten. It’s sweaty, hard hitting, no bullshit, working man’s rock n roll. Blacktop Mojo played through a good portion of their new record, hitting a couple of my personal favorites, Wicked Woman and Bed Tundy. Each offering was in your face, balls to the wall rock and roll, and it hit just as hard live as it did on the record, if not harder. 

Perhaps the best portion of the show, though, was when frontman Matt James picked up an acoustic guitar and played a couple stripped down songs on his own. His adaptation of Temple of the Dog’s Call Me a Dog actually gave me full body chills, a sensation usually foreign to dive bars, unless someone has just spilled a beer down the back of your shirt.

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All in all, I was impressed. To eke out a following as a contemporary rock band is hard- doing that while not being contrived or a re-hashing of something someone else has already done is even harder. Blacktop Mojo, in my opinion, has done both. This is a band you're definitely going to want to keep on your radar, because they're gonna have their names up on the wall at The End before you know it.

Them Dirty Roses, Georgia Thunderbolts, and Magnolia Bayou Bring Southern Rock to Festival on the Lake

Rebecca Potzner

Across the Ohio River, tucked away in Northern Kentucky, I found a slice of rock ‘n’ roll heaven at Festival on the Lake. On an almost perfect Saturday evening, Magnolia Bayou, the Georgia Thunderbolts, and Them Dirty Roses brought the camaraderie of Southern Rock to the stage nestled up against the lake with the sunset as their backdrop.

The night was driven by guitar and moonshine. All three bands made use of their individual sets by showcasing their own talents while also adding a little fuel to the fire by inviting members from the respective bands for a few epic jam sessions.

Check out photos from the festival and don’t miss Them Dirty Roses as they continue their tour….

MAGNOLIA BAYOU

THE GEORGIA THUNDERBOLTS

THEM DIRTY ROSES

CATCH THEM DIRTY ROSES ON TOUR

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Show Review: Beartooth at House Of Blues, Anaheim CA

Justin Spartacus
Photo courtesy of Beartooth

Photo courtesy of Beartooth

Tours are back, finally! And one of the largest tours this Summer/Fall is Beartooth’s The Below Tour. With shows returning, and just releasing a brand new album “Below”, Beartooth was able to have a proper supporting tour for this hit album. 

House Of Blues in Anaheim, California has become a landmark for every bands’ tour. It was definitely a worry how they would hold up during California’s extensive shutdown. Needless to say, they survived, and for their opening night they held a sold out show for Beartooth. 

Unfortunately, the show started incredibly early at 630 and I was not able to catch the first opening band, Dragged Under’s, set but was able to see Wage War’s return to the stage.

Wage War did not hesitate to get the circle pit going with their opening song “Stitch” and kept that energy the entire time and even forming a wall of death. They gave fans, for most of them, their first dose of a mosh pit since the lockdown and prepped fans for an amazing headliner to follow. 

For the main act of the evening, Beartooth kept the fans going with kicking off the set with their song “Below” off their latest album. In fact, they preformed 7 songs total from their new album “Below”, which I greatly appreciated. For album support tours it often happens where bands usually only play 3-4 songs from that corresponding album and fill the rest of the show with their greatest hits. 

Frontman, Caleb Shomo, came out like a man who just pounded 4 energy drinks. His energy level never faltered and his voice carried the entire set, even after two other shows just prior as I know his intensity was just as high for them. The band themselves sounded immaculate with a stage to match their energy. For their encore act, they finished with “The Past Is Dead” and the appropriate “The Last Riff” .

For Beartooth’s return to the stage and opening night kickoff for House Of Blues, Anaheim, they gave fans a 17 song sent with a rejuvenation of life after over a year of no live music.

Setlist 

Below 

Devestation 

Sick Of Me 

Fed Up 

Dominate 

The Lines 

Beaten in Lips 

Body Bag 

Hell of It 

Skin 

You Never Know 

Bad Listener 

Disease

In Between 

The Past Is Dead 

The Last Riff 

Mammoth WVH Announces Tour Dates

Rebecca Potzner
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After the release of his debut album, Wolf Van Halen is taking Mammoth WVH on tour! In a pretty epic billing, WVH will be touring support for Guns N’ Roses as well as headlining a few of their own stops. Joining Wolf on stage is band members Ronnie Ficarro (bass/vocals), Jon Jourdan (guitars/vocals), Frank Sidoris (guitars) and Garret Whitlock (drums)View dates and get tickets HERE.

View dates and get tickets HERE.

07.31 Hershey, PA • Hersheypark Stadium*

08.03 Boston, MA • Fenway Park*

08.05 East Rutherford, NJ • Met Life Stadium*

08.07 Cleveland, OH • House of Blues +

08.08 Detroit, MI • Comerica Park*

08.11 Fargo, ND • Fargo Dome*

08.13 Missoula, MT • Grizzly Stadium*

08.16 Commerce City, CO • Dicks Sporting Goods Stadium*

08.19 Los Angeles, CA • Banc of California Stadium*

08.22 Portland, OR • Moda Center

08.23 Seattle, WA • The Neptune +

08.25 San Jose, CA • SAP Center in San Jose*

08.27 Las Vegas, NV • Allegant Stadium*

08.29 Tucson, AZ • Rialto Theatre +

08.30 Phoenix, AZ • Phoenix Suns Arena*

09.01 Dallas, TX • American Airlines Center*

09.02 Austin, TX • Emo's +

09.04 Houston, TX • Cynthia Woods Mitchell Pavilion - KTBZ's Buzzfest (FESTIVAL)

09.05 Dallas, TX • Dos Equis Pavilion - KEGL BFD 2021* (FESTIVAL)

09.08 Indianapolis, IN • Lucas Oil Stadium*

09.09 Cincinnati, OH • Bogarts +

09.11 Atlantic City, NJ • Hard Rock Casino*

09.12 Atlantic City, NJ • Hard Rock Casino*

09.14 Louisville, KY • Mercury Ballroom +

09.16 Chicago, IL • Wrigley Field*

09.17 Minneapolis, MN • Target Center - KXXR Family Reunion (FESTIVAL)

09.18 Milwaukee, WI • Summerfest (FESTIVAL)

09.21 Minneapolis, MN • Xcel Energy Center*

09.23 Columbus, OH • Schottenstein Center*

09.25 Camden, NJ • BB&T Pavilion - WMMR MMR*B*Q (FESTIVAL)

09.26 Baltimore, MD • Royal Bank Arena*

09.29 Raleigh, NC • PNC Arena*

10.01 Orlando, FL • The Plaza Live +

10.02 Hollywood, FL • Hard Rock Hotel*

10.03 Hollywood, FL • Hard Rock Hotel*


+ = Mammoth WVH Headline
* = Supporting Guns N’ Roses

Louder Than Life Returns with 4 Days and 70+ bands

Rebecca Potzner

Louder Than Life returns to Louisville Kentucky with not just three but FOUR days STACKED with rock n roll. The music and bourbon focused festival features 70+ artists with Metallica headlining two nights with two unique sets. I don’t know about you, but that’s about all you have to tell me to snag that ticket!

Aside from the headliners, some artists we’re stoked to see and that you should catch are: South of Eden, Joyous Wolf, Diamante, Ayron Jones, and Teenage Wrist.

Louder Than Life was the first Rock festival I had ever attended and i’ve been hooked ever since. If you’re contemplating a rock festival to check out this year, LTL is definitely the way to go! Check out the recap above from 2019 to get a feel for the festival and dive into the full 2021 lineup below.

GET TICKETS HERE.

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